Wednesday, February 18, 2009

Falling Rock

My hearing is getting so bad that the only time I can listen to music is when I'm alone in the car. I can't really hear it unless it's at high volume. (It's not from listening to too much loud music, by the way. It's called Meniere's disease. Probably didn't spell it right.)

At home, my daughter or the neighbors complain. So last weekend I'm driving DH and DD up around mountain roads because my Hot Friend E offered us a couple beds in a ski place she rented for her family. And DH has got the weird iPod thing working where he plugs it into a cassette tape and then it plays through the speakers. He usually plays random stuff and most of the time I'm all, ohhhh, please can we turn it off and put on an Elvis Mitchell podcast. And he's playing random stuff and we have this conversation.

Me: I kind of like that song. Who is it?
DH: It's called LCD Soundsystem.
Me: It sounds old. I like it.
DH: I think it's a Joy Division cover.
Me: That doesn't sound like Joy Division. I don't know that one. But maybe my hearing's just so bad I don't recognize it. It sounds too happy.
DH: Happy? He's saying everything falls apart and you think that's happy?
Me: I thought he was saying "It's going to start." Can I turn it up?
DD: (from carseat in back): Will you please turn down the music? I can't sing when it's too loud.
Me: It could be falling apart in a happy way.
(Same song starts playing again, but it sounds a little different.)
Me: What, does this band just do one song over and over?
DH: No, I think this is John Cale singing it.
Me: But it's the same band? Who is this band this time?
DH: They. Are. Called. L. C. D. Sound. System.
Me: So they're the same and they're doing one song. Why do they do the same song?
[pause]
Me: Don't make fun of me for going deaf. Is it like a tribute?
DH: I think there is a Joy Division tribute album, but it's not this one.
Me: I know there is a Joy Division tribute album. It sucks. I mean, are they like a Joy Division tribute band, like Lez Zepplin? Wow, that would be cool, a lesbian Joy Division tribute band. What would they call it?
DH: It's the same band.
Me: (Thinking: Ha ha! Black Lab! They could call it Black Lab!) This is cool, because the first time I heard Joy Division it was on this cassette tape? And I was listening to it going to the prison up by Antietam to visit this guy. And it was weather like this, all gloomy.
DH: Who were you visiting in prison?
Me: He was a friend of my friend MR, you remember her? I knew him from being around, you know, but she wanted to visit and bring him some stuff, like sweats and stuff, a bible, you know. He got all born again in there. He wasn't violent or anything, just (mouths, because of daughter) *drugs*. But she was out west, so she couldn't go see him, so I went instead.
[Pause]
Me: This is a different song now. What is he singing? "Going around the bend--in Africa?"
DH: "If you do it again, I'm gonna freak out."
[Pause]
DH: "So do it again."

So, did you guess the song? It's "All My Friends," and it's NOT a Joy Division cover. LCD Soundsystem does, however, cover No Love Lost, an obscurity from the days when Joy Division was called Warsaw. So maybe my hearing's not so terrible after all.

Friday, February 13, 2009

Repurposed

Some co-conspirators on That Wretched Facebook thing are doing lists of favorite covers. Here, with just a few recycled bits, is my list of favorite covers that will never happen.

Barry White, "Theme from The Beverly Hillbillies"
Cass Elliot, "Hate On Me"
Marc Bolan, "Baby I'm-a Want You"
Freddie Mercury, "Evenflo"
Jim Morrison, "Ride Like the Wind"
Bob Marley, "Renegade"
Kurt Cobain, "Hit Me Baby One More Time"
Robert Palmer, "Think Before He Cheats"

Please add as inspiration strikes.

Layoffs have gotten closer. It's not right to say anything more specific, even here; I'm safe for now, but infuriated. Trying to detach. I mean, when you come down to it, what did you expect? Why does it come to such a surprise to us that we're worthless and disposable in this system?

But that's only in this system. In what realm are we precious and prized, and why can't we arrange for that one to be our consensual reality?

The door is always open wide...

Thursday, February 12, 2009

Get Ready for the Judgment Day

"If you don't feel looming dread, you're not very bright." That's what Edward Albee is quoted as saying in the Post, and it's good enough for me. However, I woke up this morning inexplicably happy. Here are some happy things for you.

--The movie's horrifying, I understand, but I like this trailer because it kills on cliches, and plus, the dancing kilt guy. Some people say it's a feminist affront; I disagree--well, maybe the movie is, but the trailer, no, because a dumbass cliche is a dumbass cliche, whether it's girly or not.

--Not since encountering the incisive work of rock critic Ronald Thomas Clontle have I been so impressed by such an omnibus, a panorama, of rock history. This cavalcade rules.

--One of my friends has threatened to act this out at the next PTA meeting.

--How could I have forgotten this???

UPDATE: My bad, my bad: Bad link on Tres Chicas the other day. Good link on Tres Chicas.

Sunday, February 8, 2009

The Grammies Wuz Trippin

And I was falling into a dream
Over the New York Times magazine...
Little Nick Jonas gets shook up by Wonder
and misses his cue--but his brother knows what to do...
Don't sleep in the subway, Kanye...
Tired eyes and a tight tank top for Kate Winslet,
Looking well in the Chelsea Hotel.
MIA bounces like the bee girl reincarnate
Proud mother of a brood of boasts.
Robert Downey Jr. puts his kadas through the difference engine
and finds the solution. Then Thom leads the samba drums
and shining brass into a Trouble Man for our time--
Et cetera, et cetera, et tu...

Saturday, February 7, 2009

You Can't Shoot the Fiddler in the Middle of the Show

Finally got around to opening, reading, and, thanks to a longish drive to and from a witch convention, listening to the two CDs of the Oxford American music issue. You get a lot for your money with that thing, all kinds of short essays of all types, at least one on each tune, plus usually a story, some poems, and a couple of features. The piece on Elton and Betty White, who I am so happy to now know about, had me shouting out bits aloud to DH. Photo of Arthur Lee looking like a bodhisattva (and sad story of his last days). Very very good piece on "Lawson and Four More" that explores the question of where you draw the line on what you call an authentic outsider--a topic this magazine should take on in every last issue, because it's sticky and endemic to southern culture nowadays and certainly to this magazine--through taking apart a piece of music by skilled players that was intentionally produced to "sound garage." It's got a knockout punchline, in that the band evolved into Big Star (and the ethereal "For You" is on the second disk, btw).

But then there are the blaps and tweets, like the dreadfully earnest Peter Guralnick recycling his stuff on Jerry Lee (just listen to the song) and a multi-page pant about Neko Case, in which the author works the conceit of spending a day with the band to the near death of all concerned, even the poor publicists'. It starts with some line about remembering watching a woman licking a strawberry ice-cream cone, and just gets worse; wank, wank, McSweeney-flavored wank for six freaking pages. I sure hope y'all didn't pay this guy by the word.

Too many of the women artists I hear now sound like they've been processed to fit in as the soundtrack to the obligatory emo montage at the end of a network drama--a little acoustic strum, a little trebly warble about staying strong when all feels bleak. Or maybe they're all the same person. And then I think of artists like Lynn Blakey and Lori Carson not getting their due and I'm all like, I'm just going to listen to the Stylistics again. I know it's not a bad thing to have your song on an emo montage, hell, it happened to Joni Mitchell and the cash is not unwelcome, but you know.

So I had little hope for the song itself, even though I'm sure my husband has played me the album it's off before, and plenty of New Pornographers as well. He's always waving the Latest Things under my nose, but my tastes are so particular and peculiar that I can't settle and listen for long; I have no patience unless it knocks me out and forces me into it. I'm sure like many others she's been part of all kinds of cool kids' bands that I haven't bothered checking out, so just STOP, OK? What I'm saying is I like this one song, if that's allowed? And that I had that wonderful experience of having my assumptions trashed?

In the first 30 seconds or so, I'm wondering, did Wanda Jackson ever record with Lee Hazelwood? Same rodeo-rope phrasing, just yelping it out. Showdown and tumbleweed guitar, her own, I hear, and those metaphysical lyrics, with just enough specificity thrown in to be mysterious:

Compared to some, I've been around
But I really tried so hard--
That echo chorus lied to me with its "hold on,
"Hold on hold on hold on..."
In the end I was the mean girl
Or somebody's in-between girl
Now it's the devil that I love.
And it's as funny as real love.
I leave the party at 3 a.m.,
Alone, thank god,
With a valium from the bride.
It's the devil that I love.

I played it over and over, missed my exit, dipped down to cross the Patuxent and looked out at the ice breaking, played it again, and played it again.

Once I got home, DH enthusiastically played me the rest of the album it's off, salivating about a new one she's got coming out, but nothing grabbed me the same way. I'll check out her second, which is supposed to be more country.

So there's MY wank. And they say women take longer. To its credit, OxAm also has a shorter piece on Case by Greil Marcus, call it a wan. The best of his take on "Hold On Hold On"--"driving fast around the turns." Maybe we all shoulda just left it at that.

And I'm rooting for Anthony Hamilton in the Grammies.

Photo: Was delighted to find one of her with guitar instead of just looking fetching, but lord, read that cover line, oh you poor thing to have to listen to that kind of drivel all the livelong day. Does put one in mind of Yates' "It's certain that fine women eat a crazy salad with their meat."

Headline: It's got a good Clarence Gatemouth Brown song on it, too. No fiddle players were harmed during this production.

Tuesday, February 3, 2009

PIA

My arm hurts too much to write (beyond 8 billable hours required to get paid). Resting for a couple more days. Scared cosmos is saying you must never write anything fun again.

Thursday, January 29, 2009

Ice Ice Baby

Sweater Weather
A community of chatterers says "Don't--
"Don't--Don't you deserve a rest?"
They counsel: "Listen to small pains
Now, they're harbingers, a twinge, a throb
A bulletin, if only I had known,
If only I had seen, had stopped,
It's not too late for you
To change your course--"

So I retreat to the sheets, but I don't
Stew there, they're sweet with soap scent
Still. I'll look back on this king-size
Mattress as one of the last luxuries
Before the fall. I can only take
So much dreaming, and force myself
Down that road again, squeeze out drops
Of salty ice, breathe smoke, curse the slip
That comes between my feet and the earth.

We're all bundled now against anyone
Detecting our true shapes. I squint
Against the cold and try to make you out.
Maybe my hands, gloved or numb,
Could feel your form, somewhere between
The coats and the blankets, the layers of fleece.

In a season of sweaters--
It's an old joke--but
Would you hold it against me
To crave warm skin?

That's about trying to run in winter, when everyone says tsk at your age you're courting knee replacement, you've already put your eye out and you don't even realize it yet, and also about petting a cat curled up on a pile of coats on a bed.

Anyway, two wonderful things I know: After several tests, the breast bump is benign, as I knew it would be, and I am still dead set against the overuse of sophisticated diagnostics when genetic evidence doesn't warrant it. But we'll never get (efficient and ultimately less costly) individualized medicine unless we have a system that's not tied to job or other similar factors for health insurance; the potential for genetic discrimination is too high.

And John wrote a great poem on here, check the comments under Jan. 22; I like to think of it resting there for those adventurous enough to discover it.

Monday, January 26, 2009

It's Always About Jobs

Whole lot of flapjack over New York Times Magazine article on What Women Want (in Bed). As Jezebel puts it, what women appear to want most is to talk about what women want.

It was pretty funny Sunday morning, when I was curled up in a corner in the waiting area at my daughter's karate class, plowing through my pile of newspapers as the children battled, and one of the karate dads came over to borrow a section or two, as he sometimes does. While my eyes were scanning the Book Review, I did catch a glimpse of his hand reaching out to pick up the Magazine, then pulling back quickly from the flaming cover illustration and going instead for Sunday Business. Keeping it safe.

I admire the researchers' work, and it's certainly important, but I don't know--there's so much variation in our anatomy, much more in our brains. Can you really pin down what makes ALL women feel hot? The article does make a few good points: Arousal is not consent (which should be printed on beer bottles). That women do not necessarily "need" "intimacy" and "romance" to enjoy sex. And that "making the relationship better" and "talking more about your feelings" are not always the route to better sex.

Sometimes it can be a good idea to just shut up.

I'm off to watch the second installment of Masterpiece Theater's Wuthering Heights. Talk about your eye candy. Ruins Emily's prose, but I am liking that Heathcliff.

Oh, and the answer is: freedom and worship.

(Oh, and the insurance industry is the next up for a crash, and something like 30,000 jobs lost today? I take it back, we can talk about sex, please, can we just talk about sex instead?)

Friday, January 23, 2009

"Hello, Mr. Soul, I Dropped By to Pick Up a Reason"

Yogi Tea, make up your fucking mind, come on, I pull up one chamomile teabag and the fortune-cookie like paper tag on the teabag says "The soul is projection. Represent it." Oh, yo yo yo, yogi tea, representin' all up in the house, what the hell is that supposed to mean, anyway? If it's projection, why would I want to represent a projection, if such a thing were even possible, I mean it's like a movie of a movie, right? So the next teabag says "The soul is the highest self" and I'm all, OK, which is it? WHICH IS IT? I need to know, because I'm in a haze of "flu-like symptoms" and I don't even like chamomile, and speaking of representational, I look in the mirror and I see something by Lucian Freud, or fuck, by Francis Bacon and I feel every minute of my years.

I hate Yogi Tea, but I love my new Friday yoga teacher. She plays Tom Waits during class.

Thursday, January 22, 2009

The Day's Sharp Sparkle

If all you know of Elizabeth Alexander's poems is the Inaugural reading, you're in for some good stuff when you go to her website. Reviews were mixed, but I liked the ambition of applying the praisesong form to everyone in America. I think I caught a contrast between the language of sharpness, thorn, glitter--the established edifices, the old guard--and the smoother sounds speaking of the rest of us, the everyday, the underneath.

I had seen her Hotentot Venus poems, but I didn't know some of the others, like this long poem all about what happens after you give birth. This is just one little chunk, not the most lyrical and it suffers a little out of context, but one that will make you shake your head in recognition, from the longer Neonatology, on her website.

I think the baby needs to eat. The baby’s hungry.
Look! He’s making sucking noises. Look!
His fist is in his mouth.
Why does the baby sleep all day? How
does the baby sleep at night? Three feedings? Huhn.
You need to let that baby cry.
You need to pick that baby up.
You need to put that baby down.
Kiss the baby too much, he’ll get heartburn.
What are those bumps on the baby’s face?
Why is the baby crying so?
That baby needs to eat, and now.

I found I rediscovered simplicity in language from spending so much time with my own baby. I got back rhythms and short lines. Metaphors and analogies had to simplify, too, as she got older, to explain things to her limited experience. Nature came back to me as a metaphor and teacher, because we spent a lot of time outside, that is, when we weren't hiding from snipers and "terrorists." It makes sense that birth makes you think of death; she briefly writes a parallel to her baby in her womb and a person in the hold of ship; I get stuck in the airport security line and think of boxcars. I know my own poetry can only suffer in comparison on the page, but this is what I mean--it's a piece out of a poem called TSA.

At security, they make me sip the breast milk
From the plastic baby bottle
To prove it’s not poison.
I don’t say anything.
I know better than that.
Do what they say and don’t say
Anything. They can do anything
They want. Don’t ask. Don’t try
To tell them anything. I smile—
Not too wide—and nod, even though
I can’t hear them very well. What if
I can’t understand what they want me to do?
What if they can hear
The hysteric babble in my mind, now
Rising in my throat? Yes, it’s true,
I want to say,
It’s true this is breast milk,
But it’s dangerous, so dangerous,
I shouldn’t have it here.
They tell me it’s full of my body’s toxins,
They tell me the bottle is leaching poison,
They say there’s plastic inside of me
And the plastic’s gonna get her, too.

Plastic in the water, plastic in the bottle,
Plastic in the mommy, plastic in the baby,
Plastic in your nose, plastic in your toes,
Plastic in the seeds, plastic in the root
Plastic in the stones at the bottom of the river
Plastic, plastic, in the air, plastic, plastic everywhere!
Ma’am! Ma’am! Ma’am! Ma’am!
Please keep moving! Move on through!

Monday, January 19, 2009

Nutritious and Delicious

I'm a member of the DAR. My mother put me in it. She's one too. It's not like I asked for it or ever do anything with it; it's just sort of there, creeping me out. And it doesn't get me discount tickets to Constitution Hall. I've seen some good shows there--Laurie Anderson, Black Crowes, Mary J. Blige. But it still creeps me out.

Bundled up the baby girl and took her down to the Jefferson for the witches' broom dance and to hear Caroline Casey speak. Blew me away as usual; one quick riff was on how Dick Chaney is allergic to pomegranates and we should envision him surrounded by pomegranates. I can see/feel it, all the vivid red bursting seeds bubbling around him and him thrashing, his thin lips stretched and screaming in horror at being surrounded by all that life, all that juice, all that healthy sexy fruity goodness.

A long walk back to the Metro, but DD is a trouper. DIY vendors had set up shop on all corners, about 10 per jumbotron screen. The screens were broadcasting the Lincoln concert again. People were walk/dancing around the memorial throwing their hands up to "Shout." Black people were doing that, to Garth Brooks. My goodness. I got a t-shirt for Favorite Cousin, but even though I wanted an Obama family tote bag, I'm not buying anything for me this year. My friend BAker got me an Obama lighter Friday, so I'm a happy girl.

Everyone wants a piece of something from these days; so many people love this next president and his family and everything about him. People want to sing for him, work for him, paint pictures of him. It's such an astonishing energy to be surrounded with, after that eight-year case of food poisoning. It's as luxurious as swimming in pomegranate juice.

Wednesday, January 14, 2009

Look Upon My Works, Ye Mighty, And Despair

Rick Warren's just another hick Amway salesman. The Christian churches are full of these dweebs--they make nothing, invent nothing, generate nothing to help any economy but their own; they do not sow, nor do they reap; they just build pyramids like any ego-driven pharaoh. But theirs are based on air--you don't even get a bottle of detergent for your trouble.

The New Age world and PaganLand have their share of charlatans, but they are fewer, less powerful, and often they actually have to work for a living in addition to plying their woowoo wares. And one at least gets some perspective and insight from many of them--not the recycled Dale Carnegie Warren has built his bestseller and speaking engagement empire out of (and probably the most diligent form of recycling this vaunted "environmentalist" has ever done).

It was hilarious to me that Warren boasted of "giving donuts" to the gay protesters outside his church. That's just so wrong. Gay men don't eat donuts, and the lesbians have so many ethical food issues and obscure allergies that they can't eat them either. (Awww, don't hate me for making fun--I'm just one of those poor bicoastal creatures who just can't make up their minds, remember?)

It's not so hilarious that he sold a shred of integrity to the Syrians in exchange for a photo op on the road to Damascus. Bleh!

Warren's "place at the table" in the Inaugural ceremony could be an indication of how easily Obama is able to be conned, could be a cynical move, or maybe, just maybe, it will show a hateful egoist how real grownups at the big table are capable of behaving toward each other in a civil society. See? Let the Jews and Gays, whom you have proclaimed will not get into heaven, show you how it's done.

Whatever, I'm hoping to be at the table with the witches Monday, making magic for all of y'all.

Tuesday, January 13, 2009

Feeding the Head that Bites You

A story about people being impoverished by "healthcare costs" flared up in a major newspaper today, but why bother saying which one? It's not like it's their story or anything. It was done in "collaboration" with Kaiser Health News, a new nonprofit media foundation. The vogue thing to say nowadays is that nonprofit foundations will take over as mainstream media (newspapers) die (without health insurance for the people who lose their jobs). So I hope you like your news being brought to you directly by corporations whose mission statements proclaim they have a stake in "shaping" certain issues. Just because they're nonprofit doesn't make them holy.

At the same time, without this foundation, there would be no story at all.

I just don't like a single part of it.

The story attempts a helpful sidebar on keeping down Your Healthcare Costs, but I don't think it helps much, so I wrote my own:

1. Even though the only food you can afford is subsidized corn syrup pressed into traditional dinner-shape servings and we want you to work 18 hours a day, don't get fat.
2. Don't get diabetes, either.
3. Don't get cancer or asbestos poisoning or injured from lifting my garbage cans, day after day after day past the age of 50.
4. Fight my wars, but don't get wounded.
5. And a special note for the ladies: Don't have children, don't have sex, don't use birth control, and don't get abortions. If you do have children, don't let there be anything, you know, "wrong" with them, mmmK?
6. Never, ever skip paying a health insurance premium--how else am I going to afford my boob job, bitch?

Simple, reasonable measures lead to reasonable savings for all!

The other supposed savior of the fourth estate is online discourse, a paradise of trolls and mental dwarves laboring in the darkness. Today, they filled the comments field on this story, telling people with cancer and heart disease that they should stop being fat illegal immigrants and just get over it. (Even though no immigrants of any kind were harmed in the production of Kaiser's story, the trolls just had to bring that issue to the party anyhow.) I'm like, Jesus, there are so many comments here about a couple of white guys' appearance! So two of the guys featured weigh a few pounds, maybe that's because they haven't been healthy enough or had the cash to hit the gym lately! Is the penalty for being big death, now?

Putting it all in perspective is an escaped troll now "working" at the American Enterprise Institute, who actually gets quoted in the story. He says these people just expect too damn much (like staying alive!) and that their expensive benefits could "preempt the use of resources for other services, such as buying Viagra for the rich fucks at MY foundation, which will soon be placing a story all about the tragic epidemic of limp dicks among right-wing policy analysts in what used to be your city and your nation's newspaper. Pay to play, baby!"

Saturday, January 10, 2009

Bardem Bardo

Javier Bardem just puts everything in perspective. When I do that insomniac cable movie oracle thing, he often pops up to set me straight. Usually, I get him in Before Night Falls, writing in a Cuban prison and smuggling his work out in Johnny Depp's ass. There are a lot of reasons that movie's hard to watch, not least that I feel about small enclosed spaces the way Winston Smith feels about rats. When they push Reinaldo Arenas into that solitary box, I have to hit the change channel button for a few minutes, always.

Last night, Bardem showed up in an exquisitely lit muddle called Goya's Ghosts. Goya's in my top five painters (him, Manet, Hokusai, Hans Hoffman, Remedios Varo, if you care) but this thing was just a mess, a half-baked Amadeus redux from Milos Foreman, sad to think. Bardem rocked yet another wacky hairstyle (which I can relate to, since I just got my hair colored REALLY red this go around) as an inquisitor priest turned French revolutionary turned Inquisition victim. Natalie Portman got tortured a lot, again, dag, and Goya went deaf and cringed with tinnitus, which I also could relate to (I'm losing my hearing from Meniere's and actually watched a lot of the movie on mute, because the neighbors have started to complain about the TV being too loud at night).

Not anywhere near the league of Before Night Falls, but still helpful, reminding me of a few home truths:

1) Nobody expects the Spanish Inquisition.
2) Things aren't really That Bad for you, dear.

Finally getting back to where my muscles are humming and feeling happy again.

My daughter declares that she is making a magic potion. "It makes everyone pretty on the inside." She is stirring a plastic container with a handful of beads and sequins inside. I want the first taste.

Photo: A Bruce Weber I stole from Vanity Fair; I freely confess without use of The Question.

Wednesday, January 7, 2009

A Prayer On Being Made Redundant

I'm going into a year of not buying anything, which of course necessitated buying things. There was a trip to Target for two pairs of running/yoga pants and four pairs of emergency backup underwear. Despite my feelings about "things," I was pleased to see that Champion now has girl-size running skirts, yoga pants, and workout capris, with pink banding and piping. My daughter wanted one and I caved--she always needs pants, since she grows like a weed and every pair becomes capris in two or three months (while we're still taking in the waists). There's still, shockingly, a lot of talk about certain things being "not for girls" or "not wanting to be sporty" among my daughter and her friends, and if it takes a sparkly running skirt to change that thinking, it's OK by me.

Add to the consumer frenzy a couple of bra tops and a clutch of perfume samples from ScentBar--it's a lot easier to survive on a giant jug of Dr. Bronners for a year if you know you've got something good to put on afterward.

Of course I'm seeing all these books I want. I'll have to re-learn how to use the library. The last time I did this was about five years ago, and I was too busy/tired to go anywhere but the children's section of libraries.

A half-dozen signs have been steering me to Elizabeth Hardwick, so I picked up Sleepless Nights again, since that's what I'm having plenty of: "When you travel, your first discovery is that you do not exist."

I wish I were traveling. I have been getting smacked down, stomped on, talked to condescendingly, snidely, evilly, sniffed and snorted at, blown off, oh, it goes on. This world is telling me: Shut up and go away, you silly old woman. In the past few weeks I've seriously considered stopping everything but work, running and gardening, becoming a recluse but for the necessity of work. When you put yourself out there, you get put down; it's the law of averages. My spirits--eeny, meeny, sesameenie--say wait until the full moon. You'll hear something that'll tell you whether that's the way to go.

The Church of England has issued prayers for those who have been laid off as well as those left behind. I wish the Rev. Ike would put out his version.

Tuesday, January 6, 2009

You've Officially Been Chopped and Screwed

In a hard day spent trolling for business leads, I discover that Wegmans plans to give out free antibiotics, but Busch Gardens has opted to stop giving out free beer.

There's something so wrong about this world. Will you help me fix it?

Sunday, January 4, 2009

"We Have Met the Enemy, and He Is Us"

Been having nightmares for a week--all set in past newspaper jobs, and I'm being relocated, told to fire people, fired myself, told to rip up sections and redo them in ways I know are wrong. Could use some sleep. Am running despite huffing uphills and cramping on the downslopes and almost sliding on my ass down the rotting timber stairs set into the trail off Connecticut Avenue. Did the Melvin Hazen today; the streams are clear and bubbling up over the stepping stones.

I'm reprinting a long email going around Paganland from Starhawk, the writer and Pagan innovator. This is one of the few commentaries I've seen that gets it. Too often, I listen to the progressive left, and their argument devolves into hate speech and anti-Semitism. As a Jew and a Witch and a pacifist who has lived with both sides, Starhawk grasps that we're all in the same boat. It makes me determined to see whatever I'm denying, whatever I've chosen to relegate to shadow, to the "other side of the boat," because ultimately that's all I can do.

This is probably the only time I'm going to post anything regarding this issue; this goofball blog isn't really the right place, but fact is I plain like her writing, and she is a gardener.

Dear friends,

All day I'’ve been thinking about Gaza, listening to reports on NPR, following the news on the internet when I can spare a moment. I’'ve been thinking about the friends I made there four years ago, and wondering how they are faring, and imagining their terror as the bombs fall on that giant, open-air prison.

The Israeli ambassador speaks movingly of the terror felt by Israeli children as Hamas rockets explode in the night. I agree with him— that no child should have her sleep menaced by rocket fire, or wake in the night fearing death.

But I can'’t help but remember one night on the Rafah border, sleeping in a house close to the line, watching the children dive for cover as bullets thudded into the walls. There was a shell-hole in the back room they liked to jump through into the garden, which at that time still held fruit trees and chickens. Their mother fed me eggs, and their grandmother stuffed oranges into my pockets with the shy pride every gardener shares.

That house is gone, now, along with all of its neighbors. Those children wake in the night, every night of their lives, in terror. I don’'t know if they have survived the hunger, the lack of medical supplies, the bombs. I only know that they are children, too.

I’'ve ridden on busses in Israel. I understand that gnawing fear, the squirrely feeling in the pit or your stomach, how you eye your fellow passengers wondering if any of them are too thick around the middle. Could that portly fellow be wearing a suicide belt, or just too many late-night snacks of hummus? That'’s no way to live.

But I’'ve also walked the pock-marked streets of Rafah, where every house bears the scars of Israeli snipers, where tanks prowled the border every night, where children played in the rubble, sometimes under fire, and this was all four years ago, when things were much, much better there.

And I just don'’t get it. I mean, I get why suicide bombs and homemade rockets that kill innocent civilians are wrong. I just don’'t get why bombs from F16s that kill far more innocent civilians are right. Why a kid from the ghetto who shoots a cop is a criminal, but a pilot who bombs a police station from the air is a hero.

Is it a distance thing? Does the air or the altitude confer a purifying effect? Or is it a matter of scale? Individual murder is vile, but mass murder, carried out by a state as an aspect of national policy, that’'s a fine and noble thing?

I don'’t get how my own people can be doing this. Or rather, I do get it. I am a Jew, by birth and upbringing, born six years after the Holocaust ended, raised on the myth and hope of Israel. The myth goes like this:

“For two thousand years we wandered in exile, homeless and persecuted, nearly destroyed utterly by the Nazis. But out of that suffering was born one good thing--—the homeland that we have come back to, our own land at last, where we can be safe, and proud, and strong.”

That'’s a powerful story, a moving story. There'’s only one problem with it--—it leaves the Palestinians out. It has to leave them out, for if we were to admit that the homeland belonged to another people, well, that spoils the story.

The result is a kind of psychic blind spot where the Palestinians are concerned. If you are truly invested in Israel as the Jewish
homeland, the Jewish state, then you can'’t let the Palestinians be real to you. It'’s like you can’'t really focus on them. Golda Meir said, “The Palestinians, who are they? They don’'t exist.” We hear, “There is no partner for peace,” “There is no one to talk to.”

And so Israel, a modern state with high standards of hygiene, a state rooted in a religion that requires washing your hands before you eat and regular, ritual baths, builds settlements that don’'t bother to construct sewage treatment plants. They just dump raw sewage onto the Palestinian fields across the fence, somewhat like a spaceship ejecting its wastes into the
void. I am truly not making this up—I’ve seen it, smelled it, and it’'s a known though shameful fact. But if the Palestinians aren'’t really real—--who are they? They don'’t exist!-- —then the land they inhabit becomes a kind of void in the psyche, and it isn'’t really real, either. At times, in those border villages, walking the fencelines of settlements, you feel like you have slipped into a science fiction movie, where parallel universes exist in the same space, but in different strands of reality, that never touch.

When I was on the West Bank, during Israeli incursions the Israeli military would often take over a Palestinian house to billet their soldiers. Many times, they would simply lock the family who owned it into one room, and keep them there, sometimes for hours, sometimes for days—--parents, grandparents, kids and all. I’'ve sat with a family, singing to the children while soldiers trashed their house, and I’'ve been detained by a group of soldiers playing cards in the kitchen with a family locked in the
other room. (I got out of that one--—but that'’s another story.)

It’'s a kind of uneasy feeling, having something locked away in a room in your house that you can'’t look at. Ever caught a mouse in a glue trap? And you can’'t bear to watch it suffer, so you leave the room and close the door and don’'t come back until it'’s really, really dead.

Like a horrific fractal, the locked room repeats on different scales. The Israelis have built a wall to lock away the West Bank. And Gaza itself is one huge, locked room. Close the borders, keep food and medical supplies and necessities from getting through, and perhaps they will just quietly fade out of existence and stop spoiling our story.

“All we want is a return to calm,” the Israeli ambassador says. “All we want is peace.”

One way to get peace is to exterminate what threatens you. In fact, that may be the prime directive of the last few thousand years.

But attempts to exterminate pests breed resistance, whether you'’re dealing with insects or bacteria or people. The more insecticides you pour on a field, the more pests you have to deal with—, because insecticides are always more potent at killing the beneficial bugs than the pesky ones.

The harshness, the crackdowns, the border closings, the checkpoints, the assassinations, the incursions, the building of settlements deep into Palestinian territory, all the daily frustrations and humiliations of occupation, have been breeding the conditions for Hamas, or something like it, to thrive. If Israel truly wants peace, there’'s a more subtle, a more intelligent and more effective strategy to pursue than simply trying to kill the enemy and anyone else who happens to be in the vicinity.

It'’s this--—instead of killing what threatens you, feed what you want to grow. Consider in what conditions peace can thrive, and create them, just as you would prepare the bed for the crops you want to plant. Find those among your opponents who also want peace, and support them. Make alliances. Offer your enemies incentives to change, and reward your friends.

Of course, to follow such a strategy, you must actually see and know your enemy. If they are nothing to you but cartoon characters of terrorists, you will not be able to tell one from another, to discern the religious fanatic from the guy muttering under his breath, “F-ing Hammas, they closed the cinema again!”

And you must be willing to give something up. No one gets peace if your basic bargaining position is, “I get everything I want, and you eat my shit.” You might get a temporary victory, but it will never be a peaceful one.

To know and see the enemy, you must let them into the story. They must become real to you, nuanced, distinctive as individuals.

But when we let the Palestinians into the story, it changes. Oh, how painfully it changes! For there is no way to tell a new story, one that includes both peoples of the land, without starting like this:

“In our yearning for a homeland, in our attempts as a threatened and traumatized people to find safety and power, we have done a great wrong to another people, and now we must atone.”

Just try saying it. If you, like me, were raised on that other story, just try this one out. Say it three times. It hurts, yes, but it might also bring a great, liberating sense of relief with it.

And if you'’re not Jewish, if you’'re American, if you'’re white, if you'’re German, if you'’re a thousand other things, really, if you'’re a human being, there’'s probably some version of that story that is true for you.

Out of our own great need and fear and pain, we have often done great harm, and we are called to atone. To atone is to be at one--—to stop drawing a circle that includes our tribe and excludes the other, and start drawing a larger circle that takes everyone in.

How do we atone? Open your eyes. Look into the face of the enemy, and see a human being, flawed, distinct, unique and precious. Stop killing. Start talking. Compost the shit and the rot and feed the olive trees.

Act. Cross the line. There are Israelis who do it all the time, joining with Palestinians on the West Bank to protest the wall, watching at checkpoints, refusing to serve in the occupying army, standing for peace. Thousands have demonstrated this week in Tel Aviv.

There are Palestinians who advocate nonviolent resistance, who have organized their villages to protest the wall, who face tear gas, beatings, arrests, rubber bullets and real bullets to make their stand.

There are internationals who have put themselves on the line--—like the boatload of human rights activists, journalists and doctors on board the Dignity, the ship from the Free Gaza movement that was rammed and fired on by the Israeli navy yesterday as it attempted to reach Gaza with humanitarian aid.

Maybe we can'’t all do that. But we can all write a letter, make a phone call, send an email. We can make the Palestinian people visible to us, and to the world. When we do so, we make a world that is safer for every child.

Please feel free to repost this. In fact, send it to someone you think will disagree with it.
Starhawk

www.starhawk.org

Friday, January 2, 2009

A Tree Is Nice

All these people did was write a poem, and look what happened:
--$50 to Potomac Appalachian Trail Club (membership plus $15 on top)
--$15 to Friends of Roan Mountain (Tennessee, Dave's cause)
--and 10 Euros to Kick It Out, a campaign against racism and homophobia in football (soccer), cause that's where Dave's t-shirt is coming from.

The winner is DaveTree, who is not only a professional poet, but studies tree DNA. It was inevitable. I hope I got the line breaks right. Winner first, rest as I found them:

Note to Trees

Trees, it's almost Thanksgiving
and as promised you're coming
naked--along with all your
relatives hauling acorns beechnuts buckeye
nuts moldy maple wings and such.
Leave them at the door.
Don't start in on gifts to the poor
squirrels and other fluffy rats,
and don't ever lapse into that annual rant after
several glasses of wine, death is
the mother of beauty. Death is a motherfucker.
The place cards are set
yet once more--be on your best
behavior; don't forget who this day is for.


John does his usual start-snarky-then-pull-your-heart-out magic:

"TREES"

I think that I shall never see
A chance to fuck under a tree.

A tree whose branches have caressed
A bodice ripped, revealing breast;

A tree that keeps a secret for more than a day,
And shades us from the sun when clothes fall away;

A tree in whose bark we’d carve our names
Who never chooses sides or blames;

Upon whose roots our flesh has lain;
Intimate with soil and pain.

This willow dream made by fools like me,
It’s close to God, to fuck under a tree.


Amateurzac puts one in mind of Fargo. Tan that hide, my friend!

A Cautionary Tale

The most beautiful tree
I will ever see in my life
Was the mulberry that grew in the backyard
With a thick, powerful trunk;
Broad deep-green leaves for shade
In the 100-degree summers,
Delicious fruit that made
A perfect purple mess in the spring,
Shadows and memories playing year round;
Roots, deep and ancient.
I cried and cried and cried
As it went through the wood-chipper
Screaming with metal and agony
One branch at a time.

Rachel speaks to an eternal paradox:

Every time my hands touch paper I touch a tree,
Sucking up the dark water,
Encasing space
Felled, stripped and pulped
Stretched out before me your white corpse
Shaved into thin sheaves
Waits for new born words

Mark is full of brotherly love, despite everything:

The trees around Philly
reach and find only me
their fingers have fallen
their digits have stopped
adding
i smile as i read
and i know she is getting better
with her poetry
it is exciting to witness growth
as so much around me withers...
she was here and she was as still
as i
the trees around here
cover only me.


Rionn Fears Malechem (hmmm) wrote two, at my demand:
Trees are strong, and trees are fun
Trees get bigger in the sun
If I could climb a tree and sit
I'd get right back down, in a bit.

AND

On reaching out, I pause
rather like a tree
paused, reached out
If I had bark I'd be its double,
Although less certain of purpose

Liz moved deftly from the universal to the particular and back again...

Debating between quitting
or screwing off so thoroughly
that my boss has no choice
reminiscing about my own
American Girl Dolls.
One, Molly, a family tradition
One, Addy, my own savings
led to my grandmother's dismay
remember when there were only 3?
From 8 stories up
the trees of Takoma do their autumn trick
for my enjoyment and distraction.
memory, dolls, trees and motivation...
something's gotta give!

Thank you from the bottom of my roots. The contest will return next year, if I have anything to say about it.

Wednesday, December 31, 2008

Live Blogging New Year's Rockin' Eve

10:50: Ryan Seacrest is interviewing the Jonas Bros.

Ryan: So, tell me, what's the wildest thing you've ever seen a fan do?

DH (cutting in to answer for the boys): Well, Ryan, it involved a cucumber and a cigarette...

Monday, December 29, 2008

A Winged Creature Perched on the Suspension Bridge


Got lucky today and fished this out.

Exit 98
Some people ask me where it is,
And I say, "You're there." Throw back a little fake koan.
Detachment provokes a slim selection of reactions:
Frustration, mostly; some are spurred
To try to get through it, breaking or slipping;
Last are the ones who smile and settle, satisfied.
But to you and you alone I'll tell the real story:
It's an easy road, well maintained, laid down
By some appropriation long ago paid off,
Metamorphosed into favors shaping a future
That will never quite balance out fairly.
Not the way that veers into the barrens,
Where the branches block the sun and the taproots
Suck at spilled blood, nor the one that crumbles
Into the shifting slate the surf becomes in midwinter
Churning over bones the fish nibble clean.
It's the turn for the ones who choose not to try
For the last chance. Penultimate.
The place for the ones who don't go there.

Photo: A construction of the Jersey Devil, an uncharacteristic image from some ad-ridden website full of bad jokes and old stories and photos of the kind that circulated on emails of years gone by. I would credit its creator, but that remains as mysterious as the rest of it.

Sunday, December 28, 2008

Sweatshops and Cold Sweat and Sweaters

Time still dogging me. Spent too long with the paper as usual, but read a lead like this one, on the story of WaMu's downfall, and you can't put it down. Meth-sniffing loan officers, kickbacks to Realtors, creative documentation, inflated appraisals...

What gets me is that people who were used to normal, simple bank employment were pushed to sell home loans to anyone, anytime they could. If they didn't make their quota from their places behind the teller's cage, they were bused to a boiler room after working hours to pitch home equity loans. The workload, of course, came down on them as well: One office with 108 people and "several hundred" new loan files a day.

"I'd typically spend a maximum of 35 minutes per file," she said. "It was just disheartening. Just spit it out and get it done. That's what they wanted us to do. Garbage in, garbage out."

Now, of course, even the shareholders, who pushed this process with their own greed, are screwed. I wonder if the CEO fears bodily harm, she asks, purely abstractedly and with the kindest concern? I can't stand the thought of how the ad industry contributed to all this, as well.

Elsewhere in medialand, I check out the top songs and etc. of 2008 to see what I've missed. I really miss not seeing theater because of lacking babysitting and money. That I miss. But I do hear songs on the radio. OK, I love M.I.A.'s Paper Planes, in fact it's been on my mental rotation for more than a year (I don't have an iPod, not safe to run with one, can't deal with the tech, can't afford the toys, so I play songs in my brain to myself as I run through my days). But it didn't need to get tricked up with literally sh**ty lyrics from the sufferin' Kanye like "how it feel wake up be the sh*t AND the urine" and from poor Lil Wayne, who must have been overworked in the sweatshop of his own making to come up with lyrics like "swagger tighter than a yeast infection." (BTW, I don't agree with all her lyrical assessments in that link, but some are pretty funny.) With my diet and lifestyle and luck, that's not an experience I've dealt with for a good long time, but when I cast back in my memory, I seem to remember that swagger would have been the last word I'd apply to that situation.

Another pick is Beyonce's infectious "Single Ladies," whose message makes me a little sick. It sent me scurrying to the bookcase for Adrienne Rich's A Wild Patience to see if I could find something better that would possibly scan. Not quite, but follow the bouncing ball:

In a world where
property is everything
You belong to
your daddy then the man who chooses
If you fail to marry
You are without recourse
If you're married you are
leeee-gally de-eead

My used copy of this book has "no rights" written in a sweet, rounded cursive in the margins, a helpful message from the last student who owned it.

I have a bad memory. I can remember the precise moment a three-year depression lifted--on an airplane en route to Tampa, smoking a cigarette, wearing a mint-green pastel jersey suit, listening to Thomas Dolby (ironically, "Flying North") on a Walkman (!), but I can't remember the year without looking things up and counting backward and even then it's a challenge--it was sometime in the early 80s is all I know. I remember dancing on a chair at BA's house after the mushroom dip; I remember the exact way a lover described a costume worn by a comic book villianess that gave him a hardon, I remember what a stranger said to me sitting around a fire in October, I remember my daughter's first word.

But I cannot remember birthdays, ages, dates, names, phone numbers, addresses, whether I made that appointment, or the combination to the community garden shed. I am in grave danger of losing my plot, because all the family health problems meant I didn't do enough fall weeding and cleaning. So I was out there today, weeding and filling old shopping bags full of wood chips and compost and walking them back to my plot, two at a time, because I couldn't open the shed and get a wheelbarrow. I was the human wheelbarrow. And on a climate-changarama day like this, near 70, I was sweating.

I got two particularly warm Solstice presents: My sister-in-law filled an old 1800 Tequila bottle with malt vinegar, scotch bonnet peppers and spices to make me island hot sauce; my mother gave me a cashmere hoodie to replace the one that accidently got put in the dryer and now fits my daughter.

Right now, I have put my daughter to work, perhaps in violation of child labor laws. She is to sort an entire drawer of hair accessories. She's grown her hair long once, cut it off and donated it, and is going into second-growth stage now, about shoulder-length. In the process of her work, she has covered herself with hair clips. Her only pay is going out for Chinese chicken tonight. Can you spare ten cents a day for this child? You already are, if you're a DC taxpayer, cause that's about what the schools end up getting.

Love and Sweat to you as the countdown continues.

Friday, December 26, 2008

The Deeper the Cushion, the Better the Pushin'.

Goodbye Harold Pinter. A link. And a link.

"It never happened. Nothing ever happened. Even while it was happening it wasn't happening. It didn't matter. It was of no interest. The crimes of the United States have been systematic, constant, vicious, remorseless, but very few people have actually talked about them. ..

It's a scintillating stratagem. Language is actually employed to keep thought at bay. The words 'the American people' provide a truly voluptuous cushion of reassurance. You don't need to think. Just lie back on the cushion. The cushion may be suffocating your intelligence and your critical faculties but it's very comfortable."


He actually talked about Nicaragua in that speech. But I forget. That never happened, either.

PS: I know, poems, I'm gonna do it, just been holidayed to death. You know, if you show up with one more in the meantime, you could be the big winner...Anyhow, gotta do it before tomorrow. That's the new moon. Jesus, I'm totally getting my candles mixed up. A beeswax for Solstice, the littles in the menorah, then a big white jar candle for new moon, don't hardly know what to light up first some nights.

Photo: Mountain Weasel by Karunakar Rayker; Wiki Creative Commons.

PPS: No harm to any animal occurred or is implied by the juxtaposition of that headline and photo.

Tuesday, December 23, 2008

It's All Going Down, So Grab a Big Honkin Toblerone

I am trying not to give in to bitterness and rage over the prospect of my friends and family either losing their jobs or being worked to death. (If that sounds like exaggeration, after the last newspaper layoffs I made it through, I ended up with 12-hour shifts, and no additional money, none, none, none. Someone I worked with crashed her car, probably because she hadn't slept in days. They laid off near 2/3 of the staff and added eight editions. I also once got laid off while I was still recovering from a c-section, but I was eventually hired back. So I have earned my trauma.)

I am trying not to punch the wall over the prospect that now that I finally have time to write, the publishing industry tanks. I am trying not to hear my father's voice in the continual communication that all I love to do is valueless.

I am trying not to waste my fury on the humans who traded my daughter's future for cocktails and handbags. It's not the first time that island has been the scene of such a monstrous mortgage.

I spent much of the Solstice face down in bed, with a candle lit, trying to see if there is a crack in the wall, and I saw it in, of all places, the Sunday newspapers. Which tell me that those "in charge," the "experts" are lost. "We have no playbook," they say. "We don't know what anything is worth anymore." "We don't know how to value anything." "We just have to wait to see how far it goes." "No one knows how far it will go." "No one knows what anything is worth."

Their ignorance widens the crack until it becomes a window into which I can wedge my will, like that slice of sun that comes through the stones on the darkest day. So, men, if you don't know what's worth anything, I'm happy to tell you. The only things worth a damn are art and beauty, love and magic, sex and pleasure, talk and spirit, health and laughter, the earth and her creatures. That's my ecomony, I am the expert, I set the interest rate, and I live a luxurious life within my means, and nothing else matters.

That's it. I'm over the edge. We're living on crazy old lady time. It's my world now.

So I'm going to start a poetry reading series, if the brave people who offer a venue stick with it; I won't be reading, I'll just be presenting others and doing open mike. And if they don't, I'll find a place. And I'll keep writing, because it's worth millions. Mr. Boog in Salon seems to think so, as long as I can repurpose my format to fit the times. But alas:

"There were hedge fund guys with no background in publishing buying up publishing houses," says André Schiffrin, founder of the New Press and author of "The Business of Books: How the International Conglomerates Took Over Publishing and Changed the Way We Read." He explains that corporate owners of major publishing houses expected impossible 15 to 20 percent profit margins in an industry with traditional margins of 3 to 4 percent. "They were part of that whole feeling that you could make money by buying and selling companies, rather than by selling books. At some point it comes to a dead end."

Wow, that's the same exact thing that happened to newspapers! Gee.

Anyone want to serialize my detective novel for iPhone consumption? Come on, I've already proven my willingness to give away the good thing for far less than minimum wage many times over; give it a try.

Photo: Santa strawberries, from the UK Inspired by Chocolate and Cakes blog. She's a genius.

Thursday, December 18, 2008

"Marshmallow to Marshmallow"

My holiday present came yesterday, when The Batman (so called because he used to keep a baseball bat at his desk to scare reporters) sent the link to the annual Regret the Error Best of the Year, with corrections from media worldwide. Scroll down to find so many, many mistakes, including faked photos and big bad-word typos. I'm happy he didn't forget the New Media:

Best Blog Correction
Back in January, The Consumerist reported on a rather vulgar-yet-amusing post on Wil Wheaton’s blog. After seeing the Consumerist post, Wheaton contacted them to clarify things. From the resulting Consumerist post and correction:

Wil Wheaton (of Star Trek: The Next Generation) would like you to know that he does not and will not endorse AAA Insurance. UPDATE: We initially reported that Mr. Wheaton disliked all of AAA. Not so. He tells us:
“I’m happy with the rest of the AAA services I’ve used, and continue to use. The insurance, though, can eat a bag of dicks.”
We regret the error.


This is my personal favorite:

The Guardian:
Gore Vidal was once head-butted by Norman Mailer, not the other way round. Vidal described the altercation as “marshmallow to marshmallow” when asked about it at the Hay festival 2008 (Diary, page 9, G2, May 27).


There's also a link there to buy the whole book. In poking around the links sent, I also found a present everyone can use, a rundown on How to Spot a Plagiarist or Fabulist, written by the second-greatest living copy editor. Somebody cares!

Monday, December 15, 2008

"Wake the Ghost, Shake the Lie, Unchain Time"

Io Saturnalia, the original reason for the season, whose peak used to be reputedly (and disreputably) celebrated Dec. 17. Just by chance I'm listening over and over to "The Body" off the Gutter Twins' Saturnalia. Just because I can't go for more than a week without one of my Big Dark Brooders. Dulli said in an interview that they were "the Satanic Everly Brothers"; well, then, this is Pluto's Canon in D.

Feeling Pluto and Saturn not heavily but surely, paring, grinding, polishing away at me. "You'll learn," they mumble, "this time." A warm wind blew in today and I'm hoping it holds so I can run through it in the morning.

Saturnalia is the feast where the masters switch places with the servants. Don't tell the guys at the gate, but this one's not planning on going back to her old place when the festival's over.

Image: Callet, Louvre

Thursday, December 11, 2008

Slave to Love

I love Mickey Rourke, or maybe I used to love Mickey Rourke, or maybe I love to watch Mickey Rourke, that would be it. His recent interviews have been a spooky patchwork of artifice, dissembling, and resignation, much like his recent face. It would appear to be a case of what is on the outside reflecting what's within. I miss seeing his handsome face, but more I'll miss seeing that expression in his eyes that says he knows what you want better than you do, and that he feels the sadness and the beauty alike of that knowledge.

That's called acting, and he's doing a different kind now. They're talking Oscar for The Wrestler, which if babysitters are forthcoming, we might actually see, even though it's directed by the catastrophist Darren Aronofsky--"try heroin and you'll end up in the hands of a big (black, of course, come on, Darren! much more likely she'd be condemned to a short life as an independent operator) pimp with your arm rotting off in a southern jail and the refrigerator chasing you around!" Subtlety is not the boy's strong point, but, hell, subtlety isn't everything.

What's kind of funny is that I ran into this article on Amy Tuteur's The Skeptical OB blog about the nicely funded anti-meth ad campaign just not working up in Montana. I always like her take on skewering scientific and medical studies and statistics when warranted. And doing anti-drug and other social improvement ads is one of the most interesting challenges you can get in the business (and there's good money in it, too. The bright boys at Crispin Porter Bogusky partially made their name on the anti-tobacco Truth campaign, in part because they had the cash cushion to do kid focus groups and play the ideas out for a while). But unfortunately, the Montana anti-meth campaign's super-scary, alarmist tactics aren't doing the job of discouraging potential or present users. Who's one of the big-name directors brought in to execute the Montana ads? Darren Aronofsky.

I'm certain all involved had the best intentions. One of the commenters on Tuteur's blog, who says he used to work with Gay Men's Health Crisis, says the problem is that the people creating the ads are a million miles removed from the audiences they're trying to reach. Plus, the pitch to people in poverty, near-poverty and tribal cultures in Montana is going to be way different from a pitch to a gay man in NYC.

I'm reminded of a very long ago conversation with Jill Matrix, in which she said the most effective anti-drug ad she'd seen was the one with the tagline: If you smoke pot, nothing will happen.

So: "If you do meth, the Man wins," how's that sound? Trouble is, for too many, the Man wins no matter what, so why not rot yourself away? A problem that can't be solved through better advertising.

Back to love. The acoustic version of Hey Ya finally caught up with me. This song moves me anyhow, but add a big guy with an acoustic guitar and it tears me up.

Photo: Week 7 of 9 1/2, I believe.

Wednesday, December 10, 2008

Generation Jones and the Doom of the Fourth Estate

So the media meltdown continues as the Tribune chain has filed for bankruptcy. What this doesn't have in common with other businesses in crisis: No one is asking for more than the usual handout, I mean bailout. What it does have in common: Blame the workers, hurt the workers, screw the workers.

The rumor I got is that those who graciously took early retirement are having their payments and maybe health benefits held up since the whole deal's now hit the courts. Who do these workers and people trying to collect their pensions think they are? Everyone knows when a business fails, it's the fault of the ones out there doing the work. The ones flying around and collecting millions in salaries and commissioning ice sculptures are just trying, trying as hard as they can, but those workers keep bringing it all down. They ask for so much. They live like kings.

So now we'll be stuck with the Post, and that's floating around on a deck chair among the icebergs too. Gotta love a paper you pick up in the hangover haze and it tells you you're a member of the the dumbest generation of the past 200 years. OK, maybe dancing with that gangster-looking guy WAS dumb, but give me a break. The Outlook piece uses the Generation Jones tag on us--that undernourished slice of a generation born between the boomers and GenX--and claims we had the worst test scores, the worst education, etc. The Millennialists, he claims, are the really smart ones.

That Generation Jones tag's got trendy Gladwell-wannabe all over it, but I kind of like it anyway, with its shucks-shuffle rhythm and undertone of illicit, unrelieved longing.

We Jonesers were alternately neglected and demonized as children? Check. We were subject to weird educational experiments (at the hands of boomers, I might add) and classrooms depleted by inflation and municipal failure? Check. We were so terrified by our free-lovin', boozin', Ice Stormin' parents that we started dressing preppy and voted for Reagan? Ah, here's where we splinter. A faction of us became obsessive autodidact punks instead.

And we're so dumb? Here's a little test: Generation Jones gave us Henry Rollins. The Millennialists claim Britney Spears. Your witness.

Speaking of newspaper cutbacks, Die, Sunday Source, Die, with your hilarious stabs at fashion and absurd "product testing" crew who write like 7th-graders ("I don't usually use anything but Ivory soap, but this body lotion smelled kind of good, like Lemon Pledge? but it felt all goopy? and made me cold when I put it on, so I threw it away. But if you like body lotion maybe you might like it. It costs $75.")

Well, I won't have it to kick around anymore. The Post claims the staff will be sucked into the Style section. Better this than subject us to more pages full of interns trying to pretend they care about heels and mascara ("I'm just obsessed with mascara--I have a dozen different kinds," one lied recently) when we know all you little DC vixens really want to talk about is the dangers of protectionist trade policy to the international economy.

Oh, and Barack Obama? Jones.

Photo: Henry, a pub job.

Monday, December 8, 2008

Cookies and Cognac

My Hot Friend E and I eventually made the scene for Santarchy Saturday night, but we actually ended up hanging out spending a lot of time talking about the future and the nature of love and happiness, including during a leisurely dinner at La Forchette (where I once was seated next to Christopher Hitchens, back when he was a physical wreck and I liked him better that way) in our Santa-ette costumes. Then we danced a lot at Heaven, where I really enjoyed a long, changing, strange mix of DJs. Mmmm. It’s been a long time since I’ve asked for a toy under the tree, but this year could be the exception.

We were cooling off in Hell when this lovely round man walked by, took a look at us, and burst out laughing—but not in a bad way. After some hugs, he ducked behind the bar (apparently he works there) and asked what we wanted to drink. E said “cognac,” which led to a long ritual involving trips to the back, two lighters and a pack of matches, but here’s how it went: He opened three miniatures, poured each into a snifter, then laid each snifter on its side, then ignited them one by one, doing a sort of swirly fire dance with each flaming snifter before presenting them to us. The whole time, he was giving a sort of diatribe on beauty, the importance of finding bliss during your daily work and life, and the ignorance of mixing cognac with Coca-cola. This was no Tom Cruise in Cocktail; it was voudoun god. Did I mention it was midnight? We drank, we ladies went to the ladies room, where we stood and looked in the mirror and laughed ourselves silly, and when we came back, he was gone.

Thank you, Santa.

Five reasons to watch the Elvis Costello talk show, based on the first one:
1. At least 20 minutes of props handed to Laura Nyro.
2. Tumbleweed Connection-era Elton John.
3. I’m thinking “who’s that guy on keyboards” and it turns out to be Alain Toussant.
4. There’s this songwriter I never heard of, David Ackles, who I now want to check out.
5. They just start and stop songs at random because they’re all really good musicians and they can.

It’s going to be sad when we’re all poor and depressed and starving and can’t do these kinds of things anymore. Santa, we need you.

Saturday, December 6, 2008

Three Items, Of Which the Second Could Be Regarded as Cleavage

I'm really intrigued by this--haven't read any of the poems, but I want to. Grace Cavalieri (who does so much for so many poets) reads from her new book Anna Nicole 2 p.m. tomorrow, Sunday, at The Writer's Center, in Bethesda.

BAker sent me this tool that purports to psychoanalyze your blog,and I was afraid to look at it, but I tried it. It basically said I'm a Libra (an emotional performer). Which is accurate but not too scary.

And Santa (eBay) finally brought my husband the Miles Davis On the Corner sessions. The box art is amazing, featuring not least a sort of frieze of an old-school funky cartoon characters embossed on the box, bell-bottoms, hoop earrings, platform shoes, big hats, big hair. One lovely lady in a leotard actually has one forthright, raised nipple perfectly embossed.

Photo: Shamelessly ripped off from Time corporate. Those Guess adds were so startling in the world of emaciation and dirge--it was all, like, who IS that woman?

Thursday, December 4, 2008

Oh, My Darling

It is the song that must be sung this season in the Cougar household whenever one of the sweet little citrus fruits is opened: "You are lost and gone forever, dreadful sorrrrrry, Clementine."

Which is fun for me and DD but leads to many questions from a 7-year-old: "Why is she lost and gone forever? Why is he sorry?" She assumes the singer is male. Interesting.

"Well, he just thinks she's gone forever. But really she just swam downstream a little bit and she'll pop back when she's had a little time. She can't call him because the song is from the old days and far away, so he's feeling bad, but he'll feel better in a little while."

She's buying it. "What's escalating for a mine?"

Tuesday, December 2, 2008

Simulcra Victorious

One of the highlights of a trip to Cali to see the parents is the visit to the Jelly Belly candy factory. They're masters at creating an illusion of flavor (the factory, not my parents, well, actually, they are too). Think it up, and they can conjure it, from madeleine to mangosteen. I spent a migrainous night bombed on painkillers and plowing through my free factory tour-size bag and reading, just wondering what flavor was going to visit my mouth next.

It's much like Demeter Fragrance Library does with perfumes (they're the makers of Dirt and Gin and Tonic scents, ah, the boys of summer!). In fact, Demeter actually did a co-brand with Jelly Belly to make a couple scents, including Fruit Salad.

So it goes with my pseudonyms, my extra people. They have more concentrated, carefully formulated scent and flavor than I do, and more interesting lives as well. One of them recently joined Facebook, something I/me would never do. It's too complicated and you can't control what comes into your world as well as I can here. But she got the little "be my friend" thing from someone way back whom I like a great deal--let's call him the Celtic Tiger, and watch him cringe--and who's so busy I worried I might lose touch if I didn't keep the avenue open. So "she" said yes, and has begun to write of herself in the third person.

I write a lot of poems in the second person--it's so lonely in there, I'll just rope you in with me, accuse you as I do myself, project it all onto you, you, you, my reader, my double--but even for me, writing fiction in the second would be too affected. That famous experiment perished in the 80s, speaking of cringing.

On the plane home, I read in an overripe November issue of The Atlantic that splitting oneself into multiple selves is not only not pathological, but could be critical to survival and happiness. I could get all poetic and tell of how when the lightning struck a year and a half ago, I split into many parts, knowing one life would just not be enough for me anymore, and tell of the tree with three trunks I saw in Rock Creek Park, but I'll let the authorities speak instead:

"We used to think that the hard part of the question 'How can I be happy?' had to do with nailing down the definition of happy. But it may have more to do with the definition of I. Many researchers now believe, to varying degrees, that each of us is a community of competing selves, with the happiness of one often causing the misery of another. This theory might explain certain puzzles of everyday life, such as why addictions and compulsions are so hard to shake off, and why we insist on spending so much of our lives in worlds--like TV shows and novels and virtual-reality experiences--that don't actually exist."

BTW, I'm keeping the contest open a little more, but if you're not inclined to write a poem for charity, here's another place your dollar could go: Mumbai Orphans Fund. Nothing fake about it, and thanks to the Professor of Osculation for the tipoff.

Photo: The Young King in Jelly Bellies, from a UK candy site.

Monday, November 24, 2008

"If By R&B You Mean Roots and Berries!"

I heard "Right on the Tip of My Tongue" the other night, and it sent me off on an Itunes hunt that led to a bunch of Thom Bell masterpieces and Philadelphia soul. Like most things involving Teddy Pendergrass, it soon got out of control. One odd thing that popped up was a tribute mix album called "The Barack Obama Victory," featuring Harold Melvin, The Stylistics, the Staples Singers...here we thought it was a bunch of insufferable hippie college boys who got this election won, but it was my peers behind it all, after all.

So here's MY thankful mix to grind nutmeg to: Right on the Tip of My Tongue, Brenda and the Tabulations; Children of the Night, The Stylistics; Love TKO, Teddy; Never, Never Gonna Give You Up, Barry White; He Was a Big Freak, Betty Davis; Didn't I (Blow Your Mind This Time), The Delphonics; Trouble Man, Marvin Gaye; Win, David Bowie; Come Go With Me, Teddy; More News from Nowhere, Nick Cave; Hurt So Bad, The Delphonics; End of the Line, Roxy Music; Betcha By Golly, Wow, The Stylistics; Feel the Fire, The Essential Teddy Pendergrass...

Photo: My new fantasy is John Legend in a forest ranger outfit. This'll have to do for now.

Saturday, November 22, 2008

The Gods Must Be Crazy

I've been reading little bits of The Gargoyle by Andrew Davidson; it's one of those complicated, romantic, erudite, tricky books that make you feel smart but are still fun to read--like Possession, or (an obscure favorite) Girl in the Swing or, in some ways, the works of Jack Salamanca (criminally underrated and one of my teachers). I'd put Neil Gaiman in there too but he's just too much fun.

Anyway, it's about a guy who was a right bastard and a porn star who gets burned nearly to death in a car crash and encounters this psych patient who starts telling him she knew him from a Middle Ages monastery and has the languages and the illuminated manuscripts and all the rest of the accoutrements to prove it...she keeps feeding him gourmet food and reading him Dante...it flips around in time and etc., and has a lot about suffering and God (the Christian one) but not enough to mean you can't read it while you're sick in bed.

While I'm only halfway through, and it's pretty amazing even if it weren't a first novel, I've got quibbles, the biggest being that this guy keeps claiming that his old self, the pre-toasted bastard, wouldn't have gone near this woman because she's TOO CRAZY, and you know that just doesn't ring true. Because she's good-looking and solvent; she's actually rich from being an artist (and that doesn't ring true, either, but hey, it's romantic). So she's maybe schizophrenic, maybe bipolar, definitely delusional, so what? He still would have tapped it, "old self" or new. Because honestly, there's nothing tastier to a troubled player than a hot lunachick, tell me I'm wrong.

If he'd really had a massive change in character, he'd have learned to love a middle-aged woman who wears I Heart My Terrier sparkle sweatshirts and would sit with him for hours watching Everybody Loves Raymond reruns. Anyone can love a beautiful crazy rich artist.

He does share this priceless sentiment about our impending holiday season:
"In my childhood, I'd had a succession of Christmases when [my caretakers] spent the money originally intended for my presents on methamphetamine; in my adulthood, Christmas meant fucking a woman who was wearing a red felt hat."

And check out the author photo on the back flap. Wouldn't kick him out of bed for eating lithium, either.

Speaking of which, took kids to High School Musical III finally, long-delayed due to illness. My new crush is Troy's dad, yes indeed. (My handle, if you haven't guessed, is ironic. Anything under 30 years old doesn't do much for me.)

Photo: St. Dominic's book barbecue. So much for spiritual enlightenment in the Middle Ages. He was a big pain in this ass to the Cathars for years. What's depicted is a smackdown--he threw his books and those of the Cathars on the fire, and only theirs burned, thus proving they were heretics (and deserved to go the way of their books). Pretty icky way to prove a point, but better than a shootout, I guess. Wiki Commons.

Wednesday, November 19, 2008

Which Way the Wind Blows

First! Fresh poems; check them out on the comments from days past!

Been down so long I have barely looked up. My media consumption this week was beyond cliche, as you will see, usual suspects.

So I didn’t see until yesterday that a great, insightful astrologer had died, at 11:11 a.m. on Halloween: Rockie Gardiner of Rocky Horoscope fame in LA Weekly and other alternatives. She always had a twist on the usual and a fast way of putting it; she dated Jim Morrison, and rumor is she’s the one LA Woman was written about. She was 70.

In my quest to cultivate gratitude, I’m grateful for this from scientist Stuart Kauffman :

"Forget the "God" word for a second and just try to feel yourself as a co-creating member of the universe. It changes your stance from the secular humanist lack of spirituality to a sense of awed wonder that all of this has come about. For example, I was sitting on my patio and started thinking about the trees around me. I thought I'm one with all of life. If I'm going to cut down a tree, I better have a good reason. It's not just an object. It's alive."

Go, unconsciously-touting-Paganism-man, go!

But why wasn't this on the front page?

William Ayers is busting out all over. First I heard was on Democracy Now, talking about how the 60s were being deomonized as an era or horror, anarchy, chaos…the whole get off my lawn thing that ignores all the civil rights advances made. Got himself a couple book deals, too. And asking questions I was hoping someone would ask, but I guess I’m so naïve, cause it had to wait til after the election:

"I think we were off the tracks, definitely. And I think we were jacking ourselves to do something that was unthinkable and that none of us could ever imagine ourselves getting into. We were driven, I think, by a combination of hope and despair. And in one chapter, I imagine two groups of Americans. One slightly off the tracks and despairing of how to end this war and penetrating the Pentagon and putting a small charge in a bathroom that disables an Air Force computer. An act of extreme vandalism, but hard to call, in my view, terrorism.

"Meanwhile, another group of Americans -- also despairing, also off the tracks -- walks into a Vietnamese village and kills everyone there. Children, women, old men. They kill every living thing, even livestock, and burn the place to the ground.

"And the question is, What is terrorism? And what is violence?"


I don’t know, like, all of the above? That always worked for me on the SATs.

PS: Interview also points out that Bernadine Dohrn, who was the actual leader of the Weather Underground, was completely ignored in the recent attack campaigns. Wimmenfolk can’t never get the credit.